ABOUT ME: THE POETRY GROUPIE

Garra Ballinger AKA Poetry Groupie
Hello everyone and welcome to Poetry Rocks! I have spent the past 10 years teaching grades 2-4 and have loved every single second of it. Somwhere along the journey I got the courage to take an even bigger leap into my final destination: becoming a librarian. I love all books, all children, and all learning! This blog will serve as a learning tool through my journey in Poetry For Children!

Wednesday, May 2, 2012

Free Choice Poetry: Review # 18


The Paper Doorway

 Koontz, D. (2001). The Paper Doorway: Funny Verse and Nothing Worse. New York: Harper Collins.
ISBN: 9780060294885

Critical Analysis
The Boogeyman, A Shark in the Park, A Cure for Ugly, Frankenbunny, and a Skelton’s Hotel……these may sound like strange happenings, almost too weird to believe, but the fact is they are some of the poems available in this diverse collection of poems authored by best-selling novelist Dean Koontz. I must say that the cleverness within the themes of this collection are childlike and will strike a fancy with any child in elementary school. Very tastefully written in free verse, this collection is overflowing with poems that students can relate to, poems that students will feel a part of, and most importantly poems that students will want to read over and over again. Each poem has been written in first person, making this collection a great resource when looking for poems to read aloud or perform. The themes range from a poem about the Boogeyman, poems about the secret life of Snowmen in Snowland, and even a poem that has been written all around the subject of plurals. Overall, this collection is bursting with humor and the zany poems in this collection will take readers on amazing journeys through rhyme and rhythm as they zip through the pages of the book. Among the pages of the book are meticulously detailed illustrations that bring these poems to life. The style presented in this collection is very similar to that of Shel Silverstein with an added touch of quirkiness that is sure to ignite the minds of kids as they witness poetry on such a fun level.

POEM SPOTLIGHT

The Shark in the Park

What a grand time I had in the park.
Well, except for the shark.
Flying my kite and throwing my ball…
Will the shark eat us all?
The park has a pond but don’t look there,
Sharks can be anywhere.
Under a rock or high in a tree,
Right behind you—or me.


Sharks are so tricky, sneaky, and sly.
Dad can’t understand why,
When watching for sharks, I scan the sky.
They say sharks cannot fly.
But sharks have been here for millions of years,
So it’s not strange to fear
That in so much time they learned some tricks
And perhaps get their kicks
From surprise attacks—ZOOM—diving down
Making not one shark sound.


Much stranger creatures than you and me.
Live out there, wild and free.
Look at the duck, which both swims and flies
--or the owl, which is wise
But, though wise, nevertheless eats mice
Instead of something nice.
And, hey, what about the flying fish?
Sharks can’t fly? Oh, you wish!

Dean Koontz

Analysis
Upon first glance I imagined this poem to funny, and while it was funny, at times it also forced the reader to ponder why certain things happen in nature and our world. Although the theme of this poem is rather abstract (sharks flying...how absurd) Koontz definitely hooks readers with a catchy and appealing topic. This poem exhibits perfectly paired words with end rhyme on every other line, and is so verseful, that it is almost song-like. The theme as well as the organization of the stanzas provide the reader with insight on the mood of the poem, almost frightening at times, until the last line when Koontz has proved his point and has readers believing the absurdity. From the very first line Koontz draws readers into this world where sharks exist in the park by questioning readers and reminding them of just how sneaky these creatures can be. His use of various synonyms describing their sneakiness enhances the meaning as well as they rhyme. This poem screams figurative language with a theme that exhibits personification and several instances of alliteration such as, "Sharks are so tricky, sneaky, and sly." This poem also has onomatopoeia as it describes the movement of the shark as, "ZOOM." While drawing upon the imagination the reader can feel the abstract meaning even more when Koontz alludes to the mere fact of why owls eat mice instead of something nice. Whether read aloud, choral read, or even read silently this poem will evoke personal response from readers as it generates questions and discussions throughout the reading.


Classroom Connections
This poem is truly absurd, and although students will laugh at the zany topic, they will also think about the final line, "Sharks can't fly? Oh you wish! " When sharing this poem with students, a read aloud would be the perfect fit as the text itself seems to speak to the reader and guide them in pacing and volume in order to set the mood. I think this poem would be a great resource on teaching personification, as students explore other animals that could possibly perform acts that are human like. This poem would also serve as a great resource to an animal unit, as students might research the question, Can Sharks Really Fly? As they are researching they could find out other unique information such as how high sharks jump out of the water, and look at different species of sharks and their abilities as well.

This poem represents an ABAB rhyming pattern and would be a great poem to use in a lesson on modeling rhyme. Students could highlight the end rhyme phrases and compare the words Koontz chose for the poem with other words that are in the same rhyming families. For example: mice and nice: ice, twice, dice, lice, advice, precise, and device. The students could seperate the words into groups based on the number of syllables as well. This would be a great extension to any type of word family work as well as vocabulary enhancement.