Pieces: A Year in Poems and Quilts
Hines, Anna Grossnickle. Pieces: A Year in Poems
and Quilts. Greenwillow Books, 2001.
Critical Analysis:This unique collection of poems comes to life in such a creative comparison: quilts and poetry. Anna Grossnickle Hines grew up quilting and her love for quilts inspired her to take the seams and stitches of a quilt and encircle them with poems revolving around winter, spring, summer, and fall. Poetry is an art and Hines has shown readers how the lyrical patterns and rhymes relate to life and the happenings in a year. In the first poem, Pieces Hines tells readers of the patchwork pattern made up in a year. This poem introduces the thematic concept of the relationship between the poems which detail seasonal events and the images of the real quilts squares that compliment them. The poems encompass many poetic elements with rhyme and rhythm that flow freely like the nature of events they are describing, from a rainy day in March, to a lawn of Dandelions in spring. Grossnickle has carefully chosen events that readers of all ages can relate to and the message in each poem is lighthearted and joyous. She has detailed life and some of its most ordinary moments in poetry that is nothing but extraordinary. The quilts which were handmade by Grossnickle and other members of her family serve as the perfect companion to the already elusive poetry. This collection of poems is one that is sure to enlighten the life of any reader as it speaks to the mind and soul from the realms of the world that is ever changing around us.
POEM SPOTLIGHT
Good Heavens
Our lawn is astronomical
with dandelion blooms.
a green sky filled
with a thousand suns
and then
a thousand moons
that with a puff
of wind become
a hundred thousand stars.
Anna Grossnickle Hines
Analysis:
As I read through the poems in this
selection I was reminded of many things that I myself recalled about the
seasons. The poem that seemed to speak
to me personally was the poem Good
Heavens. The title of this poem and
the disarray of quilt pieces scattered across the page it is on reminded me of
stars even before I read the poem. As I
read and became absorbed in the language of the poem my eyes drifted to the quilt
on the accompanying page. Then….it all
made perfect sense to me. This poem and
quilt fit together just as nice as the pieces of the quilt itself, but the
meaning Hines set forth to share with readers was even more evident. In just two sentences Hines was able to capture
the heart and soul of her readers in a poem about a staple of spring:
Dandelions. Her creative use of imagery
coupled with a powerful use of figurative language builds a bond between the poem
and the reader. The patchwork pattern she mentions in the beginning of the book is
continuing as readers experience the changing of the dandelion from flower to
seed. Her comparison of to the sun and
moon is one that readers can relate to as the rich colors found within the
quilt bring to life the voice within the poem.
Hines has taken such a concrete experience and in a sense made it more
abstract by having readers contemplate this act of nature on an entirely
different level. This poem evokes every
element of quality poetry as it successfully portrays spring in only a few,
powerful words.
Classroom Connections:
What child doesn’t love Dandelions? Better yet, what child has not experienced firsthand
a bunch of yellow blooms one day turn into beautiful white puffs days later? This poem is a wonderful representation of the
power of imagery and would be great to share in a lesson in which students
visualize this feat of spring. Before
sharing this book or the poem Good Heavens
with students, the teacher could bring a quilt into the class and spread
onto the floor. Students could sit on the
quilt and discuss what makes a quilt special.
I think this poem would be best understood if shared in two readings,
one with the eyes closed followed by one with the eyes opened. If possible the teacher could enlarge the quilt
that is used with this selection for students to see more clearly. After
the readings the teacher and students could discuss the imagery that is
present, what came into their minds as they were just listening with their eyes
closed. Students could check to see if
their mental images were similar to that of the images presented in the
quilt. Quilts are such a fun classroom
activity. The teacher could share other
fun books based on quilts such as: The Keeping Quilt By: Patricia Polacco, The
Name Quilt By: Phyliss Root, or Sweet Clara and the Freedom Quilt By: Deborah
Hopkinson. As a culminating activity
students could work to create their own classroom quilt with each student
making a square that resembles what makes them special.
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